As an artist deeply connected to the transformative power of glass, I have spent years creating sculptures that explore the unseen forces shaping our world. But recently, I've been reimagining my glass pieces in an entirely new form—giclee prints.

The beauty of glass lies not only in its form but in the way light interacts with it, revealing depths and colors that are constantly shifting. By capturing detailed areas of my sculptures through the lens of a camera, I can preserve the play of light, shadow, and texture in a way that truly showcases the energy and movement embedded in the material. Each giclee print becomes a window into this vibrant, ethereal world.

The process of creating these prints is both intricate and intimate. Every photo is carefully cropped to highlight specific sections of the glasswork—sometimes the curves of a piece, other times the blending of colors or the contrast of transparency against opacity. Once captured, the images are transferred into high-quality giclee prints, a process known for its precision and attention to detail. This method ensures that each print maintains the subtle nuances and textures that make the original glass pieces so captivating.

Why giclee prints? The flexibility of this medium allows for the translation of my glass sculptures into a format that can be appreciated in new ways. Prints make it possible for collectors to bring the energy and elegance of my glass sculptures into their homes and galleries without the limitations of scale or the unique constraints of the medium itself.

As an artist, this shift allows me to share my work on a broader scale, reaching more people and offering them the chance to experience my art in their own spaces. Whether you're an avid collector or new to my work, these giclee prints serve as a new way to engage with the themes of transformation and unseen forces that drive my artistic practice.

I'm excited to continue experimenting with this format and look forward to sharing more of these pieces as they become available.

This painting is part of an ongoing series that merges my deep fascination with physics, particularly quantum physics and dark matter, with my artistic process. The piece has been on the backburner for several years, and I found myself grappling with uncertainty as I returned to painting. I knew I wanted to continue this series, but I needed to push the boundaries, to evolve the work to a new level.

The concept of dark matter has fascinated me for a while—what exists but is unseen, a hidden force guiding the universe. This painting might be a visual manifestation of that idea: imagining a world beyond the visible spectrum, with different colors and energies we cannot perceive with our eyes. 

When I first completed the piece, I was filled with excitement, but I also felt uncertainty. The work was still wet, and I could only guess what it would reveal as the paint dried. Like my glasswork, I can’t fully see the piece until it has set, and that process often takes a few days. Once it dried, I found myself in awe. I had no clear interpretation at first. There was a sense of mystique, a deep emotional and spiritual resonance. The piece brought me into the realm of dark matter and made me question the energies at play in the world.

Abstract art has always offered me the freedom to explore endless possibilities through any medium. While painting has been my primary focus, I felt compelled to shift and explore new ways to express myself. My journey began with sculptural experiments using papier-mâché and butterflies, symbols of transformation and growth. As I incorporated semi-precious stones and wire into these sculptures, I felt a deeper connection to the evolving nature of my work.

Glass soon became my new medium—challenging, yet thrilling. My early experiments with small sculptures ignited a sense of discovery, and as I moved to larger blown glass forms, I found a new way to bring organic movement and fluidity to my art. Much like painting, my process in the hot shop is intuitive and spontaneous. I embrace the freedom of blending colors and manipulating molten glass, relying on gravity to shape each piece. This dynamic process reflects the transformation and fluidity that define my art.